No. 6 (2022): Streaming, Seriality and Diversity

View No. 6 (2022): Streaming, Seriality and Diversity

II Semester 2022 (july - december)

Published: 2022-08-08

Full Issue

URU No. 6 (II semestre 2022) (Español)

Presentation

Streaming, Seriality and Diversity

Pablo Escandón Montenegro, Iván Rodrigo Mendizábal

4-5
- PDF (Español)
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Monographic

On Media Convergence and Cultural Proximity: The Turkish Presence on Peruvian Screens

Giuliana Cassano

6-21
- PDF (Español)
- HTML (Español)
Imaginaries from Dystopia: Politics, Technology and Audiences in Black Mirror

Byron Andino Veloz, Eduardo Andino Espinoza

22-38
- PDF (Español)
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Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8

María Teresa Garzón Martínez, Martín de La Cruz López Moya

39-49
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Dark: Apuntes de la filosofía y la ciencia ficción sobre el viaje en el tiempo

Lenin V. Paladines Paredes

50-59
- PDF (Español)
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The Fashion of Capitalism Dystopia in the Obese Contemporary Audiovisual Narrative Streaming: The Cruelty Language of Squid Game

Carlos Fernández Rodríguez, Luis M. Romero Rodríguez, Belén Puebla Martínez

60-82
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El baile de los 41 (2020): Remediating Perspectives Around Homosexuality in Search of the Generation of a Commemorative Canon

Adrien Charlois Allende

83-96
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Veneno as an Emerging Narrative of Streaming Platforms and the Rebirth of an Icon of the LGBTI Community: Television Series as Protagonists of the Emergence and Memories of Characters within Audiovisual Narratives

Jorge Vega Reyes

97-106
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Essays

Language, Reality and Images through Denis Villeneuve’s Arrival

Jonathan Lucero

107-124
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Ecuadorian Commercial Cinema Before and During the COVID-19 Pandemic

Álvaro Pazmiño Tello, Ana Cecilia Vaca-Tapia, Pamela Cruz

125-142
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South America: An Imaginary Built by Disney. The Study Case of Saludos amigos

María Belén Calvache, Daysi

143-157
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Reviews

Comunicación cultural y patrimonial: Entre las realidades física y virtual

158-159
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