Lenguajes estéticos para el cultivo de la memoria
Keywords:
memoria, artefacto estético, sociedad, política, antropología culturalAbstract
Alonso Cueto’s literary narrative, the iconic story of Yuyanapaq, the comic Rupay, the Final Report of the Truth and Reconciliation Commission as those artistic media produced by Hebert Rodríguez or Ricardo Wiesse intercept the social and political spheres. This article links these complex meaningful communications, insofar as cultural representations are understood and translated as a need for the expression of a community or a nation. So, from there, they manifest and evoke. In this sense, it indirectly reviews the political violence experienced in Peru, during the period of political oppression in Alberto Fujimori, Sendero Luminoso and the Tupac Amaru Revolutionary Movement’s era. This article delves into anthropological concepts linked to memory as a liberating activity and memory as a subjective and collective process that interacts with the symbolic apparatuses that manifested themselves in Peruvian society after the national conflict between 1980 and 2000. Concludes the aesthetic languages they manage to activate the reflection as long as the citizens know the recent or late past. They could transmit it, while many generations suffer a culture of representation. Therefore, it is necessary to generate early the habit towards the way of possessing knowledge in contemporary society.
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