No. 44 (2018): Producing the present: Touching the body, writing, women, landscapes, affection

View No. 44 (2018): Producing the present: Touching the body, writing, women, landscapes, affection

Julio-diciembre 2018

Published: 2018-12-24

Full Issue

Kipus No. 44 (Español)

Presentation

¨Presentation

Alicia Ortega Caicedo

7-12

Dossier

La muerte me da (2007), by Cristina Rivera Garza. Dismembered bodies and degen(d)eration or instructions to read a novel

Adlin de Jesús Prieto Rodríguez

13-31
Disturbing certainties: Exile, bodyand fiction in the works of Margarita García Robayo

Karina Marín Lara

33-47
Matate, Débil, Precoz: Language drifts in Ariana Harwicz’s trilogy

Gabriela Ponce Padilla

49-64
Wild tales: animality and migration in Nombres y animales, by Rita Indiana

Miguel Aillón Valverde

65-80
Working the fragment, being the ruin. Reading of a triptych in Antropofaguitas, by Gabriela Ponce Padilla

María Auxiliadora Balladares

81-95
On the power of Literature.The works of Laura Alcoba and other artistic productions by children of militants in Argentina

Susana Rosano

97-116
Lineage, territory and image in Ramal by Cynthia Rimsky

Daniela Alcívar Bellolio

117-131
Of bodies-territory and lesboerotic disidentifications. The subjective crossroads in the narrative of Yolanda Arroyo Pizarro

Diego Falconí Trávez

133-155
Space cartographies and body aesthetics in Guadalupe Santa Cruz, Lina Meruane and Diamela Eltit

Mónica Barrientos

157-174
Nefando, by Mónica Ojeda Franco. Childhood’s voice is low and its vocabulary, imprecise: Writing, disturbing, saying the unspeakable

Alicia Ortega Caicedo

175-184