La reescritura en Eliseo Diego: entre el olvido y la memoria

Authors

  • Luis Carlos Mussó Universidad Tecnológica Empresarial de Guayaquil

Keywords:

Latin American literature, poetry, memory, rewriting, Eliseo Diego, neo-Baroque ethos

Abstract

The author of this article aims to discover, in the poetry of Eliseo Diego, the role and importance of the rewriting game as an element of memory and as a fluctuating lyrical “I”, distributed in facets and fractured spaces, typical of a neo-Baroque ethos. He also follows the poetics that are applied to the poems of the Cuban author, in the sense of expression of consciousness of a crisis imbued with melancholy given the transience of things and time. The author warns that his starting point is that the works maintain a tendency towards doubt and the unique concept; going beyond the conventions between the poem and reader’s expectations.

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References

Boadas, Aura Marina. Lo barroco. Caracas: Anauco, 1991.

Diego, Eliseo. Poesía y prosa selectas. Caracas: Biblioteca Ayacucho, 1991.

Echeverría, Bolívar. Modernidad, mestizaje cultural y ethos barroco. México D. F.: UNAM, 1994.

Mayoral, José Antonio. Figuras retóricas. Madrid: Síntesis, 1994.

Perlongher, Néstor. “Neobarroco y neobarroso”. En Caribe trasplatino. Poesia neobarroca cubana e rioplatense. San Pablo: Iluminuras, 1991.

Quintero, Aramís. “La sombra y el oro en el taller de Diego”. En Poesía y prosa selectas. Caracas: Biblioteca Ayacucho, 1991.

Ricoeur, Paul. El conflicto de las interpretaciones. Buenos Aires: Fondo de Cultura Económica, 2003.

Sarduy, Severo. “El barroco y el neobarroco”. En América Latina en su literatura. México: Siglo XXI, 1980.

Published

2014-06-11

How to Cite

Mussó, L. C. . (2014). La reescritura en Eliseo Diego: entre el olvido y la memoria. Kipus: Revista Andina De Letras Y Estudios Culturales, (35), 127–136. Retrieved from https://revistas.uasb.edu.ec/index.php/kipus/article/view/826