Intrarrealism as the Poetics of Carta larga sin final

Abstract

Carta larga sin final was first published in 1978. This work has the particularity of having its own poetic aesthetics, about which Rumazo theorizes and at the same time applies. We are talking about intrarrealism, a concept and a technique that the author develops to make her mark in Spanish-language literature, and the instrument with which she structures the novel analyzed in this article. The poetics created by Rumazo, as well as some concepts such as voice, temporality, focalization and identity of the character within a novel, are themes addressed in this research.