Carlos Rojas González (Guayaquil, 1941-2019): Theorising and Thinking from Poetic Writing
DOI:
https://doi.org/10.32719/13900102.2022.51.1Keywords:
Ecuador, poetry, science, language, praxis, woman, city, Guayaquil, semiotics, GreimasAbstract
A journey through the textual production of one of the most solid voices in Ecuadorian poetry. A look at each of the books that Carlos Rojas González, from Guayaquil, has published since 1990. One of the few writers who combined the sciences of language with poetic praxis. His work can be summarised as the semiotics of a double passion: that of women and the beloved city. The neatness of his phrasing and conceptual richness are two of the many contributions of a semiotician who put maximum tension into poetic discourse.
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References
Eco, Umberto. 1987. El nombre de la rosa. Madrid: Lumen.
–––. 2000. Tratado de semiótica general. Barcelona: Lumen.
Foucault, Michel. 1991. Las palabras y las cosas. Ciudad de México: Siglo XXI Editores.
Greimas, Algirdas Julien, y Julien Fontanille. 2002. Semiótica de las pasiones. Ciudad de México: Siglo XXI Editores.
Martillo, Jorge. 2012. “Simulaciones y oficios de Carlos Rojas González”. El Universo. 21 de abril.
Rojas González, Carlos. 2004. “La palabra, sujeto operador”. En La palabra, un ejercicio exigente, editado por Carlos Calderón Chico, 19-23. Guayaquil: Universidad Espíritu Santo.
–––. 2021. Poesía (1990-2015). Quito: Casa de la Cultura Ecuatoriana Benjamín Carrión.
Varios. 1970. Generación Huracanada. Guayaquil: Casa de la Cultura Ecuatoriana Benjamín Carrión, Núcleo del Guayas.
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